Today, reminiscing about my ‘advertising’ career in India – soon fading; and while reviewing my sporadic flirtations with photography; about Ektachrome, Kodachrome (also now relegated to the archives of photography), my thoughts drifted to the time Pablo Bartholomew was doing a calendar assignment for Kodak. The theme for that specific year (somewhere in the mid-’80s, I’d say), was ‘windows’.
An old-style building in South Mumbai — with arches that framed the window panes, enhanced by ‘money plants‘ and lilac ‘morning glory‘ vines around them (thanks to my mother’s green thumb, and deft gardening skills) — somehow, must have caught Pablo’s attention, probably during a recce (Was the ad agency for Kodak then O&M? I’m not certain of that). Of course, someone from the agency approached us to request for permission to shoot ‘our’ window. Once the permission was more-than-willingly granted by mother, a date was set; they brought across a pretty model who posed by the window, and Pablo Bartholomew, standing three-four stories below, across the street, zoomed in on our ‘archaic’ building’s architectural detail. Certainly considered archaic for a day and age then, when Hafeez Contractor and Raheja’s hi-rises were the order of the day. You just have to look at Nariman Point, Mumbai of the 1980s to see what I mean. In contrast, someone mentioned to me just the other day that our 100+ years-old building may soon be deemed a heritage building. About that, well, we just must wait and watch.
Anyway, the point is, I was wondering, if by some remote chance I could find an image of this ‘window’, online… may be in Kodak India’s archives of their then much-sought-after annual calendars… alas, I couldn’t find any. Mother had this picture framed, which she proudly displayed on the wall for a very long time – more of a salute to her own gardening skills, than to Pablo’s eye for beauty, or for that matter with any connection to Kodak or creativity (in the photography sense of the word). Of course, people would often ask her if the girl with pensive mood by the window (in the picture) was her own daughter… in response, she would beam away but I daresay, admit with much aplomb, “Oh no, she’s a model! She even used our bedroom as her changing room!” Of course, I was not sure then, whether I should laugh or cry at this response.
Well, to cut a long story short – during my search for this image, I came across some interesting links that gave me some insight into Pablo the photographer, and Pablo a 50+, independently-thinking Indian of the early 1960s. Hope you will enjoy viewing his portfolio. Click, if you wish to, on each picture, to view it at a larger scale. Also, you may want to click on the video to listen to Pablo speak about his own work in this interesting film.
For Pablo’s more serious pursuits in photojournalism listen to his interview on www.artbabble.org. His portfolio of photos on the Nagas exhibited at the Rubin Museum of Art, NY, is simply astounding… my heart skipped many a beat!